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You've selected:
Taking Stock
Sheetmusic to print
8 sheet music found
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1
Taking Stock
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1419658 By Zane Kuche…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1419658 By Zane Kuchera. By Music by Zane Kuchera and Words by Carrie Croteau. Jazz,Pop,Singer/Songwriter. Score. 7 pages. Zane Kuchera Music #1001079. Published by Zane Kuchera Music (A0.1419658). 4/22/23 Zane Kuchera Music released “Taking Stock†(Pop/Folk/Jazz) - “Every joy and every win, every hurt and every sin, everything you took and gave from the cradle to the grave, you will reviewâ€, Words by Carrie Croteau , music & performance by Zane Kuchera. Listen: https://album.link/hqfqvcwq6fdh8.
$4.99
4.63 €
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Piano, Vocal and Guitar
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Zane Kuchera
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performance by Zane Kuchera
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Taking Stock
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Zane Kuchera Music
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SheetMusicPlus
Taking Stock
Bassoon,Clarinet,Flute,Oboe,Trombone,Trumpet,Tuba,Viola,Voice - Level 3 - Interactive Down…
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Bassoon,Clarinet,Flute,Oboe,Trombone,Trumpet,Tuba,Viola,Voice - Level 3 - Interactive Download SKU: A0.1226367 By Zane Kuchera. By Music: Zane Kuchera, words: Carrie Croteau. This edition: Interactive Download. Film/TV,Folk,Jazz,Musical/Show,Pop. 27 pages. Duration 162. Zane Kuchera Music #6NeJx8eLkalpRoyJcno1PS. Published by Zane Kuchera Music (A0.1226367). Key: C major.4/22/23 Zane Kuchera Music released “Taking Stock†(Pop/Folk/Jazz) - “Every joy and every win, every hurt and every sin, everything you took and gave from the cradle to the grave, you will reviewâ€, Words by Carrie Croteau , music & performance by Zane Kuchera. Listen: https://album.link/hqfqvcwq6fdh8 https://ZaneKuchera.com.
$4.99
4.63 €
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Zane Kuchera
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Taking Stock
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Zane Kuchera Music
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SheetMusicPlus
Taking Stock
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1226309 By Zane K…
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Guitar,Piano,Vocal,Voice - Level 3 - Interactive Download SKU: A0.1226309 By Zane Kuchera. By Music: Zane Kuchera, words: Carrie Croteau. This edition: Interactive Download. Film/TV,Folk,Jazz,Musical/Show,Pop. Score. 15 pages. Duration 162. Zane Kuchera Music #5aI0yFDWWjAnpoVXksCEwW. Published by Zane Kuchera Music (A0.1226309). Key: C major.4/22/23 Zane Kuchera Music released “Taking Stock†(Pop/Folk/Jazz) - “Every joy and every win, every hurt and every sin, everything you took and gave from the cradle to the grave, you will reviewâ€, Words by Carrie Croteau , music & performance by Zane Kuchera. Listen: https://album.link/hqfqvcwq6fdh8 https://ZaneKuchera.com.
$4.99
4.63 €
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Piano, Vocal and Guitar
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Zane Kuchera
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Taking Stock
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Zane Kuchera Music
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SheetMusicPlus
Murray - Piano Trio - Violin, Cello & Piano
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.823987 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.823987 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and parts. 43 pages. TK (Tim) Murray #4762457. Published by TK (Tim) Murray (A0.823987). This Piano Trio is a 3 mvt work describing a journey.The 1st. mvt. Prelude (Setting off) is in a minimalist style depicting the mesmerising nature of travel. The 2nd. mvt. Meditation (Taking stock) shows the wide range and depth of thoughts and emotions that can come when you are still and let your mind wander. The Finale (Going home) is a moto perpetuo full of the excitement at heading back renewed and energised. This Piano Trio was commissioned by Margaret Lewissohn and premiered by The Isis Piano Trio. It has been recorded by The Fujita Trio.(c. 21 mins)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$15.95
14.8 €
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TK Tim Murray
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tkmurraycomp@aol
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Murray - Piano Trio - Violin, Cello & Piano
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TK
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SheetMusicPlus
Omnia Sol Temperat Op. 4
Small Ensemble Flute,Piano,Voice - Digital Download SKU: A0.1027978 Composed by Sco…
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Small Ensemble Flute,Piano,Voice - Digital Download SKU: A0.1027978 Composed by Scott Carr, Jr. Music. Contemporary. Score and parts. 4 pages. Scott Carr, Jr. Music #5802379. Published by Scott Carr, Jr. Music (A0.1027978). Omnia Sol Temperat came out of an assignment from Professor David Bryant to create mood music, also called photoplay music, a common genre of film music during the silent era. When the accompaniment for films was performed live, the performers used books of stock music conveying various emotions, any of which could be selected to fit the scene. The studio provided the performers with a cue sheet for the film, describing each scene along with suggestions for what music would accompany it best. Omnia Sol Temperat is intended to accompany a romantic scene, not a young innocent love, but a relationship that has faced numerous struggles and has grown-up. The text is in Latin, and originates from the Carmina Burana manuscripts. It can be translated: Love me faithfully, Taking heed of my loyalty, With all your heart, With all your mind. I am closest to you When I am far away; Whoever loves like this Rides on the wheel (of Fortune)..
$4.99
4.63 €
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Scott Carr, Jr
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Omnia Sol Temperat Op. 4
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Scott Carr, Jr. Music
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SheetMusicPlus
The Palatka Port March - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
9.28 €
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Concert band
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David M
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The Palatka Port March - Score Only
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DMStewart Music
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SheetMusicPlus
The Palatka Port March
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stew…
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Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
46.39 €
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Concert band
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Old French Song
Harp
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him?.
In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.
Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstck?. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".
On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.
By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.
On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.
P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition.
The first version is in the original key of g minor, the second is transposed to ?a minor?, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.
A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts.
I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself.
May be the staccatos suites you best, and you should try it.
The score was written on Finale.
The sound file was produced with samplers from Garritan,
intended as an audio support for the presentation of the score.
A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.
Thank you very much for taking your time to read this text and to listen to the file.
I hope you enjoy the music.
$4.99
4.63 €
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Harp
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Pyotr Ilich Tchaikovsky
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
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